Looking at it now, the winter of 2014 has not been an ideal year to tackle an in-depth and delicate project of this scale. A winter season with near record snowfall and record low temperatures has posed plenty of challenges in getting warmth-loving tropical orchids to the snowy, freezing Midwest, and securely into the Regenstein Center Greenhouses. Single-digit and sub-zero temperatures have been putting the Garden’s horticulture staff on heightened concern to protect these orchids in their various stages of buds and blooms. The transfer and well-being of more than 10,000 orchids has been a well-orchestrated undertaking shared by Garden staff (especially horticulturist Sharon Nejman) and the vendors who packed and sent the trucks.
Beginning just a month ago, the Garden’s horticulture staff began a tear-down of Wonderland Express, immediately switching gears to the equally large endeavor of creating and setting up the Orchid Show. Existing Greenhouse beds have been modified to make room for impressive structures, and organic materials host epiphytic orchids of different genera. Presenting these impressive splashes of colorful orchids in a nontraditional display comes with some scalp-scratching challenges.
More than 10,000 orchids find homes on a variety of structures designed and fabricated by Garden staff.
Working closely with Orchid Show designer and horticulturist Brian Barker, I had the shared task of designating orchid choices based on the length of bloom life and needed care, while trying not to limit creativity and whimsy. My experience in maintaining private orchid collections for individuals and overseeing the care and aesthetics of three preexisting cork bark orchid “trees” in the Regenstein Greenhouses opened a role in the planning and installation of the show for me.
In June 2012, when first presented with the challenge of building a new exhibition—an orchid show—we discovered logistical riddles we hadn’t considered being thrown at us. Along the way, new visions and ideas were presented, and have become focal points of the show during planning. Now we are here at the installation stage, with our materials, wondering,”How do I get hundreds of this particular orchid in these two or three colors to hang sideways or upside down over the visitors’ heads (sometimes way over), and keep the flowers happy?” Or, “How do we water a structure like this, and how do we do it efficiently?” Or, when we discover orchids are not happy in a location, how do we replace them quickly and in a way that doesn’t jeopardize the aesthetics of this visual centerpiece?
Together, the horticulture staff is figuring out the solutions to these in-no-way-little challenges as they are presented, and in the process, admiring the great orchid creations that are coming together around us with pride. With every step, we are enjoying Brian Barker’s visions with the awe they deserve, knowing that in a few more days, we will be able to step back and appreciate our final creation and see it in the eyes of a Garden visitor.
Winter white blankets the ground outside, but inside, the Greenhouses are alive with jewel tones.
From the moment the public enters Nichols Hall, crossing through Joutras Gallery and the entrance into the Greenhouses, our goal is to present an experience of grandeur, a lush habitat of color, and a mix of curiosity and wonder.
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