PHOTO: Finished Japanese garden lanterns by Kinzo Nishimura sit with unworked stone in the foreground.

Postcards from Japan with horticulturist Ayse Pogue

Recently I had the amazing opportunity to spend two weeks in Kyoto, Japan, attending the Japanese Garden Intensive Seminar offered by the Research Center for Japanese Garden Art & Historical Heritage.

PHOTO: tea and a small treat.
A small treat prepares the palette for the sweet and astringent taste of sencha. The idea is to savor the flavor of the tea from the few drops served in these tiny cups.

The seminar began full force the day after I arrived in Kyoto after a 16-hour flight and a 14-hour time change. A sencha tea ceremony was very cleverly scheduled for our first day to combat the heavy jet lag we all felt. Ogawa Kashin founded the Ogawa school of sencha tea ceremony in Kyoto about 200 years ago. Kashin devised his own tea-brewing rituals and became celebrated as an original-minded tea master with modern ideals.

In the following days, we visited many gardens and temples and attended lectures. It’d be hard to mention every one of them in the space of this blog so I picked a few I found particularly impressive and transformative.

Kinkaku-ji Temple or Temple of the Golden Pavilion

PHOTO: The Golden Pavilion and its reflection.
The Golden Pavilion and its reflection
PHOTO: The Golden Pavilion surrounded by beautiful pines and the immaculate moss.
The Golden Pavilion surrounded by beautiful pines and the immaculate moss
PHOTO: The ancient pine at Kinkaku-Ji with branch supports.
The ancient pine at Kinkaku-ji with branch supports
PHOTO: The ancient pine at Kinkaku-Ji with branch supports.
Never sprayed, it only gets fed a little bit of mycorrhizae
PHOTO: Mr. Tamane sitting by the dry garden around the building where he offered us tea.
Tokushirou Tamane sitting by the dry garden around the building where he offered us tea

Registered as a World Cultural Heritage Site, the pavilion takes your breath away. Tokushirou Tamane, the 82-year-old head gardener, is equally extraordinary. He allowed us into paths closed to the general public to take in the views of the pavilion and the surrounding gardens from the best angles possible. The garden and the buildings, centered on the Golden Pavilion, represent the “pure land” of Buddha in this world.

Gonaitei Garden, Kyoto Imperial Palace

This garden is located at the living quarters of the emperor, the Otsunegoten, inside the Kyoto Imperial Palace. The building houses the imperial sleeping chamber and the room with the sacred sword and the seal. As the emperor’s private garden, it feels very intimate, with a meandering stream spanned by earthen and wooden bridges. Beautifully pruned pines and shrubs and charming accents carefully placed throughout the garden create a space where one can spend hours gazing at each detail.

PHOTO: Earthen and wood bridges in Gonaitei Garden.
Earthen and wooden bridges in Gonaitei Garden
PHOTO: A majestic Japanese white pine (Pinus parviflora).
A majestic Japanese white pine (Pinus parviflora)
PHOTO: A view into the stream is framed by plantings.
A view into the stream is framed by plantings
PHOTO: Japanese lantern.
Many types of lanterns adorn the garden…
PHOTO: Japanese lantern.
some in plain view…
PHOTO: Japanese lantern.
some hidden, to be discovered.

Ginkaku-ji Temple or The Silver Pavilion

Located in the foothills of the east side of Kyoto, this temple was established in 1482 by Ashikaga Yoshimasa. He intended to cover the pavilion in silver leaf. Although it was never plated with silver, the pavilion, an unpainted brown, looks over the flawlessly raked sand, Ginsyadan; and the white sand, Mt. Fuji-shaped Kongetsudai. 

PHOTO: The Silver Pavilion with a beautiful reflection.
The Silver Pavilion with a beautiful reflection
PHOTO: Ginsyadan and Kongetsudai are truly enchanting. The gardener in blue uniform in the center of the photo is sweeping the moss, a common sight at all the gardens I visited.
Ginsyadan and Kongetsudai are truly enchanting. The gardener in blue uniform in the center of the photo is sweeping the moss, a common sight at all the gardens I visited.
PHOTO: Mossy path up the hill at Ginkakuji.
The mossy path up the hill leads to…
PHOTO: A view of the city surrounding Ginkakuji.
magnificent views of Ginkaku-ji and the surrounding area.

Tofuku-ji Temple Hojo Garden

The Hojo (Abbot’s Hall) at Tofuku-ji Temple was rebuilt in 1890 and Shigemori Mirei, a famous garden designer, laid out the four gardens that surround the building. He combined tradition and abstractionism to create these contemporary Zen gardens.

PHOTO: The eastern garden of Tofuku-ji's Hojo, with the temple’s foundation pillars, and the western garden with square azalea shrubs which reflect an ancient Chinese way of land division
The eastern garden of Tofuku-ji’s Hojo, with the temple’s foundation pillars, and the western garden with square azalea shrubs, reflect an ancient Chinese way of land division.
PHOTO: The southern garden showcases a cluster of forceful rock groupings and moss covered mounds.
The southern garden showcases a cluster of forceful rock groupings and moss-covered mounds.
PHOTO: Visitors sitting quietly and gazing at the dry garden at Tofuku-ji.
Visitors sit quietly gazing out at the dry garden.
PHOTO: The northern garden uses foundation rocks and moss in an irregular checkered pattern.
My most favorite—the northern garden—uses foundation rocks and moss in an irregular checkered pattern.
PHOTO: The design, very minimalistic and modern, captures you as much as the southern dry garden with its giant rocks and mossy hills.
The design, very minimalistic and modern, captures visitors as much as the southern dry garden with its giant rocks and mossy hills.

The seminar also included a visit to a cloisonné museum, a stone cutter’s studio, and a trip to Ashu forest for an all-day garden-making workshop.

PHOTO: Kinzo Nishimura, a 4th generation stone lantern maker, designed the famous lantern at Kenroku-en.
Kinzo Nishimura, a fourth-generation stone lantern maker, designed the famous lantern at Kenroku-en.
PHOTO: Kinzo Nishimura in his workshop.
All lanterns at his workshop are chiseled by hand.

Seeing these world-famous gardens in person, attending lectures, and being immersed in a fascinating culture will make me a better and a more well-rounded Japanese gardener. I have a much better grasp now on certain features of my garden and why they became a part of the original design. I also loved Kyoto as a town, with its lush mountains always in view and ever-present water in the form of rivers, streams, and canals. I already have a list of gardens I will visit next time I’m in town.

PHOTO: Finished lanterns dwell between the forest and unworked stone in the foreground.
Finished lanterns dwell between the forest and unworked stone in the foreground.

©2016 Chicago Botanic Garden and my.chicagobotanic.org

Published by

Ayse Pogue

Ayse works as the senior horticulturist for the Malott Japanese Garden, which displays plants for their beauty, hardiness, and similarity in effect to plants used in the gardens of Japan. She is also responsible for overseeing and coordinating the maintenance of Evening Island, the Plant Science Center Green Roof Gardens and the Bernice E. Lavin Plant Evaluation Garden. She takes her passion for plants home by maintaining a large vegetable garden and raising heirloom chickens in a handmade coop in her suburban Chicago backyard.

4 thoughts on “Postcards from Japan with horticulturist Ayse Pogue”

  1. Such a wonderful experience! Thank you for sharing. I made a raked garden in my former home, but I had to use Tifton Pink stones because I could not find the white stones. Do you know who supplies the Botanic Garden and what your stones are called? Thank you.

    1. Thank you. The stones we use here are called Arkansas wash. It is a little hard to find and pricey. You can call local rock yards such as Robert Schwake Stone or Menoni & Mocogni and find out if they carry this type of stone.
      Ayse

  2. Thank you for offering a glimpse into your experience. I a scheduled to attend the 2017 seminar and am very excited for this wonderful opportunity.
    In appreciation,
    michelle

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