Martyn Lawrence Bullard and Timothy Whealon, featured lecturers at the Chicago Botanic Garden’s Antiques, Garden & Design Show, are two celebrated interior designers with their own sensibilities and styles.
Bullard, who has designed for celebrities like Tommy Hilfiger and Cher, likes to create sophisticated and eclectic interiors. Whealon, who studied English literature and art history and trained at Sotheby’s, focuses on fine and decorative arts and mixes classic and modern styles seamlessly.
They both strolled the exhibitor booths at the Show’s preview party to choose pieces that caught their eye, and would feel right at home among their personal aesthetic. See these picks and more at the Antiques, Garden & Design Show, through Sunday, April 17, and stroll through the Garden grounds to enjoy the spring blooms.
Martyn Lawrence Bullard’s Picks: (Click on an image for information about the item and vendor.)
Timothy Whealon’s Picks: (Click on an image for information about the item and vendor.)
The New York Times described Rachel “Bunny” Lambert Mellon as an amateur collector with a sure eye, great taste, and upper-class refinement. Architectural Digest called her self-assured in the way that often comes with enormous wealth. Labeled a connoisseur, philanthropist, gardener, and horticulturist by flower magazine, Bunny Mellon was crowned the true queen of green, and the high priestess of pruning and pleaching by Vanity Fair.
Such is the mystique surrounding Bunny Mellon, an heiress who considered privacy her greatest luxury; an influential American landscape designer who rarely showcased her work; and a collector who could afford anything, but was known for acquiring only the things she loved.
Historian and garden writer Mac Griswold will share her unique perspective on the carefully guarded world of Bunny Mellon during the upcoming Antiques, Garden & Design Show. Griswold forged a bond with Mellon, the mother of her close friend, Eliza, through their mutual love of gardening. Griswold’s lecture, “Green Grandeur: The Rarefied Simplicity of Bunny Mellon’s Garden Style,” will document the contributions the influential tastemaker made to home and garden design. Mellon is perhaps best known for designing the White House Rose Garden during the Kennedy administration, as well as the White House East Garden, and landscape features at the John F. Kennedy Presidential Library in Boston. Renowned architect I.M. Pei called her the most gifted landscape architect of her time.
Mellon applied the same sense of scale and balance to her own properties, but these glories were rarely seen by outsiders. “Her gardens were like private kingdoms,” Griswold said. Griswold’s talk will take place at 11 a.m. on Saturday, April 18, in Alsdorf Auditorium. Following the lecture, Griswold will sign copies of her latest book, The Manor: Three Centuries at a Slave Plantation on Long Island, a saga about slavery, emancipation, and racism in New England told through the history of a single piece of land and a grand old house. She is currently working on Nothing Should Be Noticed: The Life and Gardens of Bunny Mellon 1910–2014. The book’s title refers to one of the Mellon’s maxims. “She was all about ensemble,” Griswold said. “She believed everything should work together. She didn’t want anything to be a gob smacker, indoors or out.”
Griswold was fortunate to see the simple and harmonious execution of this vision during visits to the houses and gardens Mellon maintained in New York, Cape Cod, Antigua, and the 4,000-acre Oak Spring Farm in Virginia. The estate is home to Mellon’s life work, the Oak Spring Garden Library, which contains one of the world’s largest private collections of works on horticulture, botany, natural history, and travel. The 12,000-volume facility will now serve as headquarters for a library and learning center supported by the Gerard B. Lambert Foundation, named by Mellon after her father, a pharmaceutical baron.
Known for her statement, “Nothing should be noticed,” Bunny Mellon “had a highly developed sense of imperfect perfection.”
Mellon developed her love of gardening early. She started her first garden plot at the age of 7 and acquired her first gardening book at age 12. In 1948 she married Paul Mellon, the son of financier Andrew Mellon, and the two lived a life of art collecting, philanthropy, horse breeding and racing, and entertaining. According to press reports, dinner guests included such luminaries as Queen Elizabeth and Truman Capote.
Griswold’s window into Mellon’s world looks out onto her gardens, which she designed according to three overarching rules: always use a horizon line, always make sure there is a formal feature, and always make sure there is a place to sit down.
Learn more about a fascinating, accomplished, and understated figure in American gardening and society, at Griswold’s April 18 lecture during the Antiques, Garden & Design Show, April 17–19, 2015.
Mario Buatta is known as “The Prince of Chintz,” but a minute on the phone with the legendary interior designer tells you an off-the-wall sense of humor is also part of his trademark: “Decorating is only decorating. It’s not brain surgery.”
The 80-year-old can afford to be self-deprecating. One of his latest projects—transforming the rooms of an 1850 South Carolina mansion for New York socialite Patricia Altschul—was featured in the October 2014 Architectural Digest. In 2013, he published his first book, Mario Buatta: Fifty Years of American Interior Decoration.
We’re honored to have Buatta as keynote speaker for our spring kickoff, the Antiques, Garden & Design Show, taking place April 17 to 19, 2015. Buatta’s appearance at the Garden is more fitting than you might realize. The storied New Yorker, whose client list includes Barbara Walters and Mariah Carey, has a great affinity for gardens. His trademark chintzes are bursting with flowers, and he weaves nature into the narrative of his work. He says, “No house is ever complete. It grows with you—just like a garden.”
Buatta may love a nosegay, particularly one printed on cotton and finished with glaze, but he is definitely no shrinking violet. Ask his take on current decorating trends and you’ll hear, “I see a lot of bad trends. Younger people want everything done overnight. Instant gratification. Everything simple, easy to take care of. No silver. No brown wood. No antiques. No old pieces.”
The result is a cold, unwelcoming home, in Buatta’s opinion. He says, “The things that make a house a home are the things with a family connection.” He’s been drawn to antiques since childhood, purchasing his first piece at age 11—an eighteenth-century lap desk acquired with $12 in saved allowance. “Antiques spoke to me, because they reminded me of the old days that don’t exist any more.”
A home needs connection to family and the past, but it also needs color. No white walls, or chrome, steel, and glass desert for Buatta: “I couldn’t live in a house without lots of color. Color is a like a garden. It brings a house to life.”
Hours in museums as a youth, looking at the works of Matisse, Bonnard, and other impressionists, taught Buatta a great deal. A professor at his alma mater, Parsons The New School for Design, put it this way: “If you don’t understand the colors these artists use on their canvases you will never be a good decorator.”
Some of Buatta’s favorites include apricot, chartreuse, blood red, and nature’s colors, such as sky blue and green. He’s also crazy for blue and white with yellow. His own living room is three shades of pistachio green, and his bedroom is eggplant. “You should always have a touch of red in a room,” he says. “It gives it life. A touch of black pulls in all colors. It says quality. It’s very important not to repeat colors in two rooms so your house is a palette. You really want to set the mood for the time of day you use the room.”
In our brief conversation, snatched between urgent phone calls, Buatta displayed mastery, humility, showmanship, and outrageous humor. He quips, “I’ve been a celebrity since I was born.” His upcoming lecture, sponsored by Veranda and titled “If You Can’t Hide It, Decorate It,” promises to be anything but dull. Carolyn Englefield, director of decoration and special projects, will moderate!
We can hardly wait for the über-charming design star, Miles Redd, to hit the Antiques & Garden Fair on April 11!
In order to whet our appetites for all things Miles, the fabulously talented Redd graciously agreed to answer a few of our questions—a little hint of what’s to come when he comes to town. All we can say is buy your lecture tickets now so you don’t miss this design legend in the flesh!
There is an art to mixing materials, periods, and styles in order to create interest and harmony. You get it right every time. What’s your secret?
I think Picasso said it best: “good artists copy, great artists steal!” I really love to look at the masters, past and present, and really, it is simple; you imitate what turns you on. Also, a feeling in my gut helps a lot!
We’d say you’ve definitely mastered old Hollywood glamour! Does your background in film and set design influence you as an interior designer?
When I was young, blockbusters were among my best friends. I do love the interiors of films in the 1930s, ’40s, and ’50s. They give you a fantasy of what they want it to be, rather than how it probably was, and you know, often it is better—the fantasy, that is!
Which designers inspire you and your work today? Which “up and comers”?
That is a long list, but here goes: Nancy Lancaster, Albert Hadley, Syrie Maugham, Elsie de Wolfe, Francis Elkins, Jansen—and then today I love what Studio Peregalli is doing, and I think Daniel Romualdez has lots of style, and David Kaihoi—a very talented guy in my office—is a terrific springboard. (His apartment was on the cover of House Beautiful and worth a Google search!) Do you think will have staying power in the business?
We read that you enjoy the view of your garden from your bedroom. What kind of garden have you created in New York City?
Very much a French architecture—it’s all about clipped hornbeams and boxwood and deep turquoise treillage—very architectural, with no flowers…my kind of garden.
You must adore hunting for unique furniture and objects through dealers at shows like this one. What advice do you have for someone shopping an antiques fair?
If you love it, and the price is right, seize the moment! The worst is regretting something you should have gone for!