Under a grey fall sky, the English Walled Garden was blooming with color, activity, and life. Rain-glazed flowers drew tiny hummingbirds, and fountains sang. It was a special day. John Brookes, the English landscape architect who designed the suite of gardens was there for a visit, something that has happened only once every few years since the beloved site was dedicated in the summer of 1991.
Although the garden has grown and changed since that time, it has remained true to the original concept Brookes created. “There’s an intimacy about it that I think people like,” said Brookes, who strolled the space with a small team of Garden staff members. “I don’t think there’s another area that has this range of plant material in it,” he added.
Before entering the garden, Brookes paused to soak in the entrance plantings along the west wall, evaluating the shape, color, and size of each shrub, flower, and vine. The vibrant section had been replanted since his last visit, but he nodded as if in agreement as he swept his eyes over the arrangement.
He was next drawn to the perimeter of the garden that overlooks the Great Basin. The border of the space and the height and shape of trees and shrubs were his first priorities there and throughout his tour. Neatness was fundamental in his view, as he looked for carefully arranged edging such as boxwood bushes. However, in places such as the daisy garden, he encouraged the horticulturists to allow for wild messiness, and for tall, abundant blooms that create a relaxed feeling.
As he walked from one garden room to the next, he admired splashes of color and white flowers that brought a light touch to the many deep green plantings and shady areas. He looked over the shoulders of a cluster of art students who were painting their own vision of the space, and nodded with approval.
Again and again, he paused, considered, discussed, and nodded, occasionally spotting a new addition to the garden, or the absence of a plant that had once lived there. Always, he was looking for brightness in the form of blue, yellow, and white flowers, silvery accents, and varied vines against red brick walls. Sitting beside a trickling fountain, he noted the importance of the many water features. “It brings it alive,” he said. Water “brings light down into the garden because you get a reflection. It’s the sound, really,” he added.
Returning to the perimeter of the garden, he stopped to take in the view from beneath an English oak that was planted by Her Royal Highness Princess Margaret in 1986, when ground was broken for the garden.
Brookes’ design was inspired by several gardens in England, including the gardens of Russell Page and the Great Dixter gardens.
Returning to the tour, Brookes and the team of Garden staff anticipated the arrival of mums and asters in the coming days. Like a proud parent, Brookes said that the garden has “just grown and matured,” since it was first planted. “It feels like a real garden more than a show garden.”
A brightly colored butterfly swept by as if to say “thank you,” while a photographer snapped a photo of a hummingbird and several women in wide-brimmed hats gathered on benches to chat. A vision come to life.
©2016 Chicago Botanic Garden and my.chicagobotanic.org