All the possibilities for the Obama Library plus our Windy City Harvest Youth Farm are featured on National Geographic’s website! Read about it in Greg Mueller’s article, The Next New Species Could be in Your Backyard: Why Exploration and Discovery Matter—Everywhere on National Geographic. Mueller, chief scientist and Negaunee Foundation vice president of science at the Garden, describes the excitement of discovering new species in our own neighborhoods and parks.
Create a miniature landscape in an open, shallow container: a dish garden! Gather small foliage and flowering plants together in a decorative container—like a basket or saucer—for a versatile display you can enjoy throughout the year.
Dish gardens are easy to grow, very adaptable to most environments, and can be placed anywhere in the home. Even if you do not have a green thumb, you’ll find it difficult to kill a dish garden. They last much longer than fresh cut flower arrangements, although if you like, you can add fresh cut flowers—they will last up to a week or more. Once done blooming, the flowers can be easily removed or replaced, and the dish garden can be enjoyed for many more months.
Choose the container: Your dish garden should be planted in a shallow container. The size depends only on how many plants you want to put into it. Almost anything can be used as a container—let your imagination be the judge.
Provide drainage: Adequate drainage is probably the most important rule to ensure the success of your dish garden. Be sure to remove excess water and avoid over-watering. Drainage holes on the bottom are best, but not mandatory. If drainage holes are not present, use a plastic liner or saucer in the container, or add a layer of gravel or pebbles on the bottom for drainage.
Choose the plants: Use small starter plants; 3-inch or 4-inch pots work best. Choose plants with the same general light and water requirements. Using seasonal flowering plants or interesting seasonal focal points—such as poinsettias for the holidays—and change them out throughout the year: replace your poinsettia with a flowering primrose or bulbs in the spring.
Dish garden themes: Be different! Try a cactus or desert garden, bulb garden, flowering annuals, African violets, or herb garden. Or try to spruce it up with special decorations for a holiday or event.
Planting and design: Always use a well-draining peat-based potting soil. Place the tallest plants in the center if the dish garden is to be viewed from several sides, or place them in the back of the container if viewed only from one side. Mix plants with contrasting foliage, colors, leaf sizes, and shapes. Top dress the soil with a layer of Spanish moss, gravel, or bark chips.
Care of your dish garden: Again, they are easy, needing only proper drainage, water, light, and an occasional dose of general fertilizer, and minor trimming if needed. They can last in the home for 1-2 years before repotting is needed.
Two years ago—before his life took a head-spinning turn—Fernando Orozco was a 19-year-old juvenile offender in the Cook County Sheriff’s detention center. Recently, he completed work as a grower and crew leader on the Kraft Food campus in Northfield, Illinois, as part of a 13-week stint in Windy City Harvest Corps, an educational and transitional jobs program run by the Chicago Botanic Garden.
“I never thought I’d have a job like this where I have my own site and, not only that, the responsibility of caring for a crew of other guys,” Orozco said, on a break from work last summer in the 8,000-square-foot Kraft Makers Garden.
His crew included young men, ages 17 to 21, in the Illinois Department of Juvenile Justice system. The team grew enough tomatoes, peppers, lettuce, and other produce to fill 55 boxes a week for the U.S. Department of Agriculture’s Women, Infants, and Children (WIC) supplemental nutrition program. Other crops included cherries, beets, swiss chard, and watermelon, made pretty with plantings of scarlet runner beans and firecracker flowers, all grown in full view of Kraft employees as they worked out in the company gym. Produce from the site is donated to WIC centers and food pantries in the networks of the Greater Chicago Food Depository.
Orozco became interested in farming at the sheriff’s detention center, where he learned basic growing and organic practices in a program run by Windy City Harvest, the Chicago Botanic Garden’s urban agriculture education and jobs-training initiative. He went on to complete the nine-month Windy City Harvest Apprenticeship program, earned a certificate in safe and sustainable urban agriculture, and interned at locations including chef Rick Bayless’s home garden in Chicago.
The Windy City Harvest Apprenticeship program attracts a diverse group of students, including young adults with a history of incarceration and those with significant barriers to employment. “Just because they’re checking that box that says ‘felony offense’ doesn’t necessarily mean that they’re bad people,” said Angela Mason, director of Windy City Harvest. “They just need someone to give them a chance and support them through those changes. ”
Now Orozco tells the former juvenile offenders with whom he works that they can leave their past behind. “I’m not the smartest person in the world,” he tells them, “but I saw an opportunity and I took it, and the same opportunity is happening to you guys. Are you going to take advantage?”
Orozco hopes to run his own farm some day. “But, for now, I’d be happy if I were here, doing the same thing, just perfecting the craft, growing food and helping people, growing people,” he said. “I can’t ask for a better job.”
This post was adapted from an article by Helen K. Marshall that appeared in the winter 2014 edition of Keep Growing, the member magazine of the Chicago Botanic Garden.
Twenty years ago, I was running school field trip programs at the Chicago Botanic Garden when then-education manager Alan Rossman received a grant to start a brand new program called “College First.” This program would use the Garden site and staff to introduce 12 students from three Chicago Public Schools to careers in the green industry. He hired retired teacher Gwen Yvonne Greenwood to coordinate the program and enlist staff from all over the Garden to mentor and teach these young people.
At the time, there weren’t many programs like College First anywhere in the country. College First was even unique among the other museum teen program start-ups, in that our goals were not merely to make the institution more relevant to this age group, but also to provide a springboard to meaningful careers in science-related fields. Who knew that 20 years later, with some changes and improvements along the way, this small program would evolve and grow into the Science Career Continuum we have today?
We now bring 60 students (like Mely Guzman, whom I blogged about earlier this year) from all over Chicago to the Garden every summer and expose them to environmental and conservation sciences, with the hope that a few of them will be inspired to pursue a career in this field, and maybe go on to do something important for our planet. To date, College First has served more than 500 students from 116 schools. The majority of them have attended college and have entered—or are entering—productive careers. Many of them have pursued science-related careers as a direct result of their experiences at the Garden.
We celebrated the success of College First on December 14, with a reunion party at the Garden, including a visit to Wonderland Express, for all past students, instructors, mentors, donors, and their families. More than 200 people attended the event. In between the many reunion hugs, congratulations, and words of encouragement for current students, we gave all program participants an opportunity to reflect on their experiences by telling us their stories on video, writing comments on a talk-back wall, and tweeting about the event while a live Twitter feed displayed the comments.
A former program coordinator, William Moss, is now a gardening guru and media celebrity. (Even our instructors have moved on to great things in their careers!) William presided as master of ceremonies during a presentation to recognize all the people who have made this program possible. We honored staff mentors, Louise Egerton-Warburton, Jeremie Fant, and Tom Soulsby as outstanding mentors. The College First 20th Anniversary event was made possible by the generous support of Joel Friedman of the Alvin H. Baum Family Fund. Awards were presented to Annette Kleinman and family of the Sheridan Foundation, the W.P. & H.B. White Foundation, and the Lloyd A. Fry Foundation for their generous financial support over the years.
For me, this was a very rewarding event. It was such a pleasure to see so many past and present students coming together and sharing in the success of this program, especially those who are now adults with spouses and children of their own. This group represents our scientific future.
I wish each and every one of these smart and talented young people a happy new year and all the best in their bright futures!
Thirteen years ago, when I was working as an exotic animal veterinary technician, I bought my friend a gift—a juniper bonsai—that would set me on a course that I never could have imagined.
I already had a yard full of tropical plants, succulents, and orchids, but once I added my first bonsai, I knew something had changed. It was the beginning of a journey that took me from Gainesville, Florida, to Washington, D.C., to Japan and finally here to the Chicago Botanic Garden, where I am the curator in charge of the Bonsai Collection, which is known as one of the best of its kind in the world.
Shortly after I purchased my first tree, I started learning about bonsai and joined a prominent bonsai club in Gainesville. In 2006, Gainesville (home of the Gators) hosted the State Bonsai Convention. That weekend was an eye-opening experience for me, as I got to learn from and assist international bonsai artists like Jim Smith, Colin Lewis, and others. That weekend convention was very influential and would fuel my desire to continue learning.
Less than a year after that convention, I had an opportunity to move to Baltimore, Maryland, and work at the National Aquarium. I quickly joined the Baltimore Bonsai Society and continued learning. Feeling more and more drawn to a career in horticulture, I made the move from veterinary technician to horticulturist of the Rainforest Exhibit at the National Aquarium. This opportunity made me think that I actually could have a career working with bonsai. Then, during a Baltimore Bonsai Club event at the National Arboretum’s Bonsai and Penjing Museum in Washington, D.C., I had a chance meeting with the curator Jack Sustic. I introduced myself by saying, “Hi, I’m Chris Baker. I have aspirations of being a bonsai curator some day, and I would like to volunteer here at the collection.” That sentence would forever alter my path. My time as a volunteer and then intern at the National Arboretum was inspirational and educational, and ultimately would lead me to Japan.
Jack Sustic would become a mentor and friend; he introduced me to Torhu Suzuki at the Daijuen Bonsai Nursery in Okazaki, Japan, where he had spent some time. Suzuki, or “Oyakata” (an honorific reserved for a person of high authority) as we would call him, was a third-generation bonsai master and prominent figure in Japanese bonsai culture. In 2012, I spent six months as an apprentice at Daijuen. In that time I learned so many lessons and skills that I use every day. It also gave me an entirely different perspective on how the practice of bonsai has evolved in Japan for centuries.
In April 2014, I started as the curator of bonsai at the Chicago Botanic Garden. Having the opportunity to be the first full-time curator here at a collection of this caliber is a dream job, which comes with a lot of expectations and responsibility. During the display season (April to November), horticulturists Joe Olsen and Gabe Hutchinson provided great support in keeping the trees watered and benches looking great for our visitors. The remaining trees are kept on the south end of the Garden, in the production area. Brian Clark, manager of plant production, and his team help care for the trees on my days off. Last but not least, the support of my 12 volunteers is essential. They are a great team of dedicated people who each brings something different to the Collection.
I’m often asked what has drawn me to bonsai, and why would I pursue a career in it, with only ten or so full-time curator jobs in the entire country? For me, bonsai starts with an appreciation of nature over all things. An ancient tree has the power to move people and evoke emotion. It’s what inspired the Chinese centuries ago to take something of beauty they saw in nature and grow it in a container.
Creating bonsai takes the eye of an artist, the horticultural knowledge of a botanist, and the hands of a mechanic. I have been painting and creating art with many mediums for years. I often draw my trees prior to styling them. It allows me to see different style ideas before I even touch a single branch. I love the horticultural aspect of bonsai, from soil science, to fertilizing, to advanced techniques of grafting and air layering. To me, the mechanical aspect is fun as well. I enjoy making large bends in branches using rebar and guy wires on developmental trees, as well as doing the fine detail work for a show-quality tree. A bonsai is never finished, and the skills and knowledge of a true bonsai expert take a lifetime of study to master and fully understand all it has to offer.
Bonsai has taught me many things, introduced me to wonderful people, and taken me to places I never thought I’d see…At this point in my life, it just seems silly for me to do anything else.