Archives For Lenhardt Library

Come to the Seed Swap on February 28, and see a demonstration of the Lenhardt Library’s new seed library, set to launch next month.

Seed sharing is a resource for the community, just as libraries are a community resource for books. A seed library is where one may “borrow” seeds to sow, and if successful, harvest, save, and return some to the library for others to borrow the following season. We aim to cultivate an interest in home gardening and seed saving.

PHOTO: Seed packets.Many are familiar with planting seeds, so we’ll focus on seed saving—a less familiar aspect of the food cycle. The Lenhardt Library’s seed library will be geared toward the novice who has little experience with seeds, but all are welcome to participate. We’ll provide horticultural assistance and step-by-step instructions as part of our program.

Seeds in this seed library are primarily heirlooms (varieties that have been in cultivation for 50 years or more), and/or open-pollinated (pollinated by bees or wind), so that the next generation seed retains the identical characteristics of the parent. Seed companies Renee’s Garden and Seed Savers Exchange have generously donated seeds to get us started; tomato, beans, lettuce, and more await you.

In 2015, the Illinois Seed Law was amended, making noncommercial seed libraries such as this one legally exempt from commercial requirements such as testing and labeling. Now we’re ready to get started!

We hope you’ll visit and borrow seeds for your home garden, whether it’s a large plot or a terra cotta pot on a windowsill.

PHOTO: peas.Get more tips for starting seed in our Smart Gardener series, and consider starting some early spring crops.


©2016 Chicago Botanic Garden and my.chicagobotanic.org

One of the reasons I love being a librarian is that I learn something new almost every day.

When a book catalog featuring Illustrated Historical Universal Ampelography: Grape Varieties from Around the World (published in 2012) landed on my desk, I went for a dictionary. I was completely taken with my new word of the day—“ampelography”—and its definition. My thoughts raced to placing this subject on my list for future rare book exhibitions.

The field of horticulture is full of very specific words meaning very precise things. Viticulture is the study of grapes and their production, and in this case, ampelography is the study of grapevines—not wine, but the vines and their grape varieties.

Ampelography: I Heard It Through the Grapevine is on view now through November 8, 2015, in the Lenhardt Library.

PHOTO: Dark purple grapes hang on the vine, just before harvest.

The vineyard at harvest time

My family visited California in August, and a visit to wine country was on my itinerary. I wanted to see grapes on their vines, not only in tasting rooms with delicious samples. It turns out that some of the history of California and United States vineyards can be traced through volumes in the Lenhardt Library’s Rare Book Collection.

The first book on winemaking in America, by John Adlum (1759–1836), was published in 1823. A Memoir on the Cultivation of the Vine in America, and the Best Mode of Making Wine emphasized the use of American rather than European grapes. Adlum cultivated Catawba grapes in the Washington, D.C., area. Native to the United States, Catawba grapes grew in a region that stretched from North Carolina to Maryland region.

Agoston Haraszthy (1812–69) established the Buena Vista Winery in Sonoma, California, in 1857. It was the first commercial winery established in California. Haraszthy brought European viticulture methods with him from his native Hungary and established California viticulture. In 1862 he published Grape Culture, Wines, and Wine-Making: With Notes upon Agriculture and Horticulture as well as other essays on grape growing for the California State Agricultural Society (of which he was president in 1862).

Ed Valauskas, curator of rare books, will present a free library talk about the exhibition on Sunday, September 27, at 2 p.m.

ILLUSTRATIONS: Lithograph by G. Severeyns.

Lithograph by G. Severeyns

By the mid-1860s, Haraszthy’s vineyards were suffering from phylloxera, an aphid-like insect that feeds on roots of grapevines and stunts their growth. Phylloxera spread to Europe and decimated its wine industry. American disease-resistant grapevines were introduced in Europe to help eradicate the wide-spreading disease. Due to the art and science of grafting phylloxera-resistant rootstock, by the turn of the twentieth century, French viticulture recovered. The following two books describe the processes of grafting, and vine resistance to phylloxera:

  • La Laurencie, comte de. Pratique de Plantation et Greffage des Vignes Américaines (Planting and Grafting Practices of American Vines) Paris: Librairie Agricole de la Maison Rustique, 1895.
  • Millardet, Pierre-Marie-Alexis (1838–1902). Histoire des Principales Variétš et Espèces de Vignes d’Origine Américaine qui Resistent au Phylloxera (History of the Major Varieties and Species of Original American Vines Resistant to Phylloxera) Paris: G. Masson, 1885.

When opening a bottle of wine, connoisseurs and novices alike may evaluate the color, aroma, and taste. The vintner (winemaker) sees to the harvest, juicing, fermentation, storage, and bottling. Behind each bottle, however, the viticulturist considers many parameters from the soil, climate, fertilizer, disease and pest control, rootstock, vines, and varieties. It is all of these factors—and people—working together that determine the final product.

There is so much to appreciate with each sip!


©2015 Chicago Botanic Garden and my.chicagobotanic.org

The Language of Flowers

A Great Gift of "Hearticulture" for the Lenhardt Library

Karen Z. —  May 17, 2015 — Leave a comment

Today we text hearts. But in Victorian times, flowers acted as the instant messaging and emojis of the day.

In nineteenth-century Europe (and eventually in America), communication by flower became all the rage. A language of flowers emerged. Books appeared that set the standard for flower meanings and guided the sender and the recipient in their floral dialogue. Victorians turned the trend into an art form; a properly arranged bouquet could convey quite a complex message.

Naturally, books on the subject often had lavishly decorated or illustrated covers.

Naturally, books on the subject often had lavishly decorated or illustrated covers.

Now an amazing collection of books about the subject, including many entitled The Language of Flowers, has been donated to the Lenhardt Library. The gift of James Moretz, the retired director of the American Floral Art School in Chicago, the collection includes more than 400 volumes from his extensive personal library on floral design. Moretz taught the floral arts for 45 years, traveled the world in pursuit of the history and knowledge of flowers, and authored several books on the topic. His donation gives the Chicago Botanic Garden’s Lenhardt Library one of the Midwest’s best collections of literature on the language of flowers.

As even these few photos show, there are books filled with intricate illustrations, books specific to one flower, handpainted books, pocket-sized books, and dictionaries. The oldest volume dates to 1810. Two are covered in pink paper—seldom seen 200 years ago, but quite subject-appropriate. Many books are charmingly small—the better to fit, it was thought, in a woman’s hands.

A non-written type of communication, the language of flowers needed a standardized dictionary in order to be properly understood.

A non-written type of communication, the language of flowers needed a standardized dictionary in order to be properly understood.

PHOTO: Carnation Fascination bookcover.

Carnations held several meanings: a solid color said yes, a striped flower said no, red meant admiration, while yellow meant disappointment.

The language of flowers translated well: there are books in French, Spanish, Italian, German, Dutch, Japanese…and English. Some 240 of the volumes are quite rare—those will, of course, be added to the library’s Rare Book Collection. (Fear not, you can peruse them by appointment.) The remainder will be catalogued and added to the library shelves during the course of the year. Are you a Garden member? You’ll be able to check them out.

PHOTO: The tiny books of of The Language of Flowers.

Tiny books were sized for women’s hands—and to slip into pockets.

PHOTO: Cupid's Almanac and Guide to Hearticulture bookcover.

This pocket-sized Victorian reference could come in handy when courting.

Librarians aren’t often at a loss for words, yet when I asked Lenhardt Library director Leora Siegel about the importance of the donation, she paused for a very long moment before responding. Clearly, her answer would have weight.

“It is the single most outstanding donation in my tenure as director,” she replied.

Pink rose illustrationAnd so to Mr. Moretz, one last word of thanks:


©2015 Chicago Botanic Garden and my.chicagobotanic.org

The Victorians had it, and so do we, right here at the Lenhardt Library! A new rare book library exhibition has just opened as part of the Chicago Botanic Garden’s 2015 Orchid Show: Orchidelirium: Illustrated Orchidaceae.

ILLUSTRATION: Oncidium papilio

Oncidium papilio from A Century of Orchidaceous Plants Selected from Curtis’s Botanical Magazine: Consisting of a Hundred of the Most Worthy of Cultivations by William Jackson Hooker (1785–1865). London: Reeve and Benthem, 1851

No matter what you call it, the Victorians were mad for the sensational new plants arriving in England from every exotic location on Earth. The race was on, as botanical explorations took orchid collectors from one end of the globe to another in search of the most beautiful, rare, vibrantly colored, sensuously shaped orchids to be found. Orchid fever flared again and again, from the first time the Victorians saw a Cattleya labiata from South America (it bloomed after arriving as packing material in 1818), to the orchid display of the 1851 Great Exhibition at the Crystal Palace, designed by gardener, architect, and member of Parliament Sir Joseph Paxton (1803–65).

And if that wasn’t enough, books, articles, and botanical journals were also devoted to the orchid.

No photography? No Internet? No matter! Botanical illustrators captured orchids in all their thought-provoking beauty, one engraving and lithograph at a time. These trained illustrators caught the clinical and technical aspects of the plants with sheer precision. After Cattleya labiata, the next Victorian orchid-on-demand was Oncidium papilio, the butterfly orchid, which is one of the most dazzling illustrations in Orchidelirium: Illustrated Orchidaceae.

ILLUSTRATION: Vanilla planifolia.

Vanilla planifolia from Curtis’s Botanical Magazine: Comprising the Plants of the Royal Gardens of Kew by Joseph Dalton Hooker (1785–1865). London: L. Reeve & Co., 1891

This year we celebrate Vanilla planifolia, an edible orchid that produces the second most expensive spice in the world, next to saffron. An entire case is devoted to the vanilla orchid—look for Sir Joseph Dalton Hooker’s Curtis’s Botanical Magazine: Comprising the Plants of the Royal Gardens of Kew, London: L. Reeve & Co., 1891.

Chocolate and vanilla lovers: don’t miss the rare plate from Zippel and Bollmann’s Ausländische Culturpflanzen in Bunten Wand-Tafeln  (Foreign Cultivated Plants in Colored Wall Panels with Explanatory Text) that was used as a tool for teaching plant anatomy. Like many of our rare orchid books and journals, this fragile plate was in much need of conservation. It was conserved through a grant by the National Endowment for Humanities; the digitized plate can be accessed online at the Illinois Digitized Archives.

ILLUSTRATION: A match made in Heaven—vanilla and chocolate together!

A match made in Heaven! Vanilla and chocolate illustrated together in this plate from Ausländische Culturpflanzen in Bunten Wand-Tafeln by Hermann Zippel and Karl Bollmann. Braunschweig: Druck und Verlag von Fredrich und Sohn, 1880–81


Orchidelirium: Illustrated Orchidaceae is open daily until April 19, 2015, with extended weekend hours (10 a.m. to 4 p.m.) during The Orchid Show


©2015 Chicago Botanic Garden and my.chicagobotanic.org

Armchair Gardening

with our "Horticulturist-in-Chief"

Karen Z. —  January 8, 2015 — 4 Comments

January is such a satisfying month for gardening…especially of the armchair variety.

PHOTO: Kris Jarantoski with his favorite library reads.

Kris Jarantoski, the Garden’s executive vice president and director, among stacks of his favorite books

Just think: no digging, no hauling, no sweating. Instead, you have the opportunity to sit in the slowly increasing sunlight, with an inbox or mailbox full of gardening PDFs and catalogs and books. It’s a time to dream and learn and plan.

In short, January’s a fine month for reading about gardening.

Every gardener has his or her favorite books and resources that they turn to in winter. This got us wondering: what does our head horticulturist Kris Jarantoski pull off the shelf when he’s thinking about his next gardening endeavor?

His answers reflect his 30 years of garden experience here—indeed, Kris was the Garden’s very first horticulturist—and a lifetime love of the natural world.

Herbaceous Perennial Plants by Allan Armitage

Herbaceous Perennial Plants by Allan Armitage

Herbaceous Perennial Plants by Allan Armitage

Its full title, Herbaceous Perennial Plants: A Treatise on Their Identification, Culture, and Garden Attributes, gives you the sense that this is an authoritative resource, and this gardening classic doesn’t disappoint. Armitage is that rare garden writer who is informative, interesting, and witty all at once. “If my mother had known that the spores overwintered on the blistered, ignored leaves by the garage, she would have removed them. Actually, she would have told her sons to do it, and we would have probably taken the Lawn Boy to them,” Armitage writes of hollyhocks—and his youth.

“This is my most-used reference book,” Kris admits. “We have lots of herbaceous perennials here at the Garden, and I do at my home, too. Armitage’s book is easy to use, up to date (it’s on its third edition), and if you want one place to go for reference, this is it.”


Garden Masterclass by John Brookes

Garden Masterclass by John Brookes

Garden Masterclass and The Essentials of Garden Design by John Brookes

Walk through the blue gates of our English Walled Garden and you’ve entered the world of John Brookes. A visitor favorite since its 1991 opening, the garden’s six “rooms” feature all that Brookes is known for: impeccable thought process, original design, and a masterfully creative use of plants.

Kris was there during every step of that Garden’s implementation. “John Brookes is brilliant,” he shares. “The way he sizes up a landscape, his sense of proportion, and his ability to know how things will work together is amazing. I’ve used his grid pattern on page 83 of Garden Masterclass at my own home—gardeners of any skill level can benefit from it.”


The Gardener's Practical Botany by John Tampion

The Gardener’s Practical Botany by John Tampion

The Gardener’s Practical Botany by John Tampion

An older (1973) but beloved resource, Tampion’s book is important “because anybody who gardens should know how plants work—how they breathe and take up water and have a vascular system,” Kris explains. “If you know how and why plants work—basic, practical botany—then you understand what’s happening when a rodent girdles your fruit trees.” Can’t find Tampion’s book? Try Biology of Plants by Peter Raven/Ray Evert/Susan Eichhorn—just one of the great botany books on the shelf at the Lenhardt Library.


The Artful Garden by James van Sweden

The Artful Garden by James van Sweden

The Artful Garden by James van Sweden

Less a reference book than a work of art about the art of gardening, 2011’s The Artful Garden became the final book by the late landscape architect James van Sweden (who died in 2013). By relating gardening to the arts—music, painting, dance—van Sweden “opened my mind as to how things work together in a landscape,” Kris says. “He was the visionary behind Evening Island, and the great photographs in this book remind me of how we thought about every aspect of the design as we worked on it.” A fine book for daydreaming about gardens large and small.


Garden Design by Sylvia Crowe

Garden Design by Sylvia Crowe

Garden Design by Sylvia Crowe

A true lesson in design by a grande dame of British landscape architecture, this book teaches on the grand and historic scale. Sylvia Crowe created cityscapes, public properties, and institutional landscapes, but she also understood the importance of the land and was one of the first to act on the idea of sustainability. “This is one of the books I return to again and again,” Kris notes. “Sylvia Crowe was ahead of her time, and her thoughts on design continue to resonate today.”


Vegetable Gardening in the Midwest by C.E. Voight and J.S. Vandermark

Vegetable Gardening in the Midwest by C.E. Voight and J.S. Vandermark

Vegetable Gardening in the Midwest by C.E. Voight and J.S. Vandermark

The secret to many an Illinois gardener’s success, this University of Illinois publication is a favorite of the state’s many master gardeners. “It’s well laid out,” Kris explains, “and the illustrations are very good. The focus is on vegetables that thrive in the Midwest, so it’s a must-read for gardeners in our area. My copy has been well used over the years!”


Landscape Plants for Eastern North America by Harrison Flint

Landscape Plants for Eastern North America by Harrison Flint

Landscape Plants for Eastern North America by Harrison Flint

Which perennial, shrub, or tree, would work best in that tricky corner of your yard? This is the book that tells you. With several thousand plant listings, hundreds of photographs, and handy illustrations of plants compared in youth and at maturity, Flint’s book is a solid reference for seasoned and novice gardeners alike. “Dr. Flint is from the Midwest, and he understands what works in our gardens,” Kris adds. “I think of this book as a truly local resource. His book can be hard to find, though—it hasn’t been updated over the years—in which case you can turn to Michael Dirr’s well-known Manual of Woody Landscape Plants.


Trees for American Gardens by Donald Wyman

Trees for American Gardens by Donald Wyman

Trees for American Gardens and Shrubs for American Gardens by Donald Wyman

“These two titles are sentimental choices for me,” Kris mentions with a smile. “They’re out of date now, but they’re like old friends to me—textbooks used in the horticulture program at the University of Wisconsin/Madison when I was there. Donald Wyman set the tone and format for all the great horticultural reference books to come. When I open these books, it whisks me back to that thrilling time of learning about new plants, especially shrubs and trees.”


The magazine/periodical racks at our Lenhardt Library are a gardener’s guilty pleasure: gorgeous cover after gorgeous cover begs “pick me” for every gardening topic under the sun. A magazine browse is a fine way to spend a January day.

PHOTO: Woman with laptop in the Lenhardt Library.

Bring your sketchbook or laptop and plan your spring garden in the Lenhardt Library.

We asked Kris for his top magazine titles:

  • Horticulture
  • Fine Gardening
  • The American Gardener (the American Horticultural Society’s magazine)
  • Garden Design
  • Chicagoland Gardening
  • Northern Gardener (Minnesota State Horticultural Society magazine)
  • Gardens Illustrated
  • The Garden (Royal Horticultural Society magazine)
  • The English Garden

Nearly all of the above titles are available at our Lenhardt Library (free checkout year-round for members!). It’s a resource that Kris knows well. “I’ve always used our library,” he says. “My dad, who was an engineer, loved books and had an extensive collection, and I inherited that love of libraries from him.”

Pull up a chair. Pull out a book. And enjoy a little armchair gardening in January.

What are your favorite gardening books and websites? Tell us your top three titles in the comments section below!


©2015 Chicago Botanic Garden and my.chicagobotanic.org