Archives For Horticulture & Display Gardens

Learn more about the plants and gardens at the Chicago Botanic Garden.

Sunshine is the latest corpse flower at the Chicago Botanic Garden to bloom.

A member of the Aroid plant family (Araceae) from Sumatra, it has a number of titan arum relatives at the Garden from around the world.

Sunshine the titan arum (Amorphophallus titanum) in the Sensory Garden

Sunshine the titan arum (Amorphophallus titanum) in the Sensory Garden

Jack-in-the-Pulpit (Arisaema triphyllum) and Skunk Cabbage (Symplocarpus foetidus) are the two most common Chicago natives in this family. Other relatives hail from continents, regions, countries, and islands. Taxa growing at the Garden have the following native ranges: North America, Northeastern United States and Canada, Japan, Korea, China, Thailand, Russian Far East, Kamchatka Island, Sakalin Island, the Philippines, Indonesia, Sumatra, Sri Lanka, Turkey, Greece, Republic of Georgia, Spain, Italy, India, Nepal, Afghanistan, Tibet, Burma, Himalayan Mountains, Yemen, Mexico, Central America, Panama, Guatemala, Caribbean Islands, South America, Colombia, Peru, South Africa, and Lesotho.

Jack-in-the-pulpit (Arisaema triphyllum)

Jack-in-the-pulpit (Arisaema triphyllum)

Skunk cabbage (Symplocarpus foetidus)

Skunk cabbage (Symplocarpus foetidus)
Photo by Jacob Burns

Not only is it widespread, the members are also adapted to a number of environments from hot, humid Sumatra rain forests where Sunshine calls home to cold, temperate deciduous forests, temperate and tropical wetlands, Mediterranean climates, and deserts.

Find caladiums and others as you stroll Brazil in the Garden this summer; visit #CBGSunshine the titan arum outside in the Sensory Garden and stay tuned for a potential bloom!

The Araceae is one of the larger plant families, containing 117 different genera. The Garden features 27 of those genera containing 152 species and cultivars. Our GardenGuide smartphone app features the locations where Sunshine’s family can be seen throughout the Garden. Many are grown ornamentally for their attractive leaf shape (philodendrons, anthuriums) and colorations (elephant ears, caladiums, dieffenbachia, pothos, taro) while others, anthuriums and Calla lilies chief among them, are grown for their attractive flowers. While not all members of the family smell bad—the Calla lily, for instance, has a light citrus fragrance and anthuriums don’t have any fragrance at all—many are real stinkers with common names like Dead Horse Arum, Dead Mouse Arum, and Corpse Flower.

Caladium bicolor 'White Dynasty'

White Dynasty caladium (Caladium bicolor) ‘White Dynasty’

Calla lily (Zantedeschia aetiopica)

Calla lily (Zantedeschia aetiopica)

Caladium 'Red Flash'

Red Flash elephant ear (Caladium ‘Red Flash’)

Most members of the family contain a number of compounds (often including calcium oxylate crystals) in their sap to deter herbivores that illicit a mechanical gag reflex in people. Calcium oxylate crystals look like glass shards on steroids under a microscope and play havoc with the soft tissues of the inside of the mouth, tongue, and throat. The most notable food crop in this family? Taro, or poi. Preparation of the starchy tubers have adapted techniques over the centuries that remove the toxic compounds.

Ready for an Aroid treasure hunt?

Find these titan arum relatives as you stroll the Tropical Greenhouse, where a titan arum leaf is also housed. Can you spot the family resemblance? 

Anthurium andraeanum 'White Heart'

Flamingo flower (Anthurium andraeanum ‘White Heart’) is a classic anthurium flower of the florist trade in white with a red spadix; find it near the east entrance.

Anthurium x garfieldii

Find Garfield anthurium (Anthurium × garfieldii) in classical birds’ nest form with a long, thin flowering spathe and a spadix in dark maroon. Photo by horticulturist Wade Wheatley.

Monstera deliciosa

Split leaf philodendron or Swiss cheese plant (Monstera deliciosa) has a vining habit; it is clambering up the side of the greenhouse sporting large, deeply divided leaves.

Dieffenbachia 'Camouflage'

Its name says it all: Camouflage dumb cane (Dieffenbachia ‘Camouflage’) is hidden west of the palm alleé.

Amorphophallus titanum leaves in the Production Greenhouses

Amorphophallus titanum leaves in the production greenhouses. Find one in the Tropical Greenhouse, too.


©2017 Chicago Botanic Garden and my.chicagobotanic.org

Towering palms, bold swaths of color, and tropical plants have transformed the Chicago Botanic Garden into an exotic paradise this year for Brazil in the Garden.

To create the “Brazil effect,” floriculturist Tim Pollak and Andrew Bunting, the Garden’s assistant director and director of plant collections, drew from designs by renowned Brazilian landscape architect Roberto Burle Marx, who was known for his bold, modernist style.

We talked with Pollak and Bunting to learn how you can grow a Brazil-inspired tropical garden.

Aechmea 'Blue Tango'

Aechmea ‘Blue Tango’

1. Find color in foliage

Burle Marx used bold, bright colors such as purple, orange, and green in his gardens. When planting your garden, Pollak recommended choosing foliage plants with various shades of green. Foliage tones are endless: silvers, blues, bronze, and burgundy. Foliage plants can also bring out the colors of flowers, and vice versa. For instance, if your garden’s foliage is silver, blue, and purple, pops of white flowers will enhance the foliage colors. “Remember,” Pollak said, “there are no rules when it comes to color.” Complementary or monochromatic schemes are subject to taste. But gardens can still be attractive without flowers. Instead, think of flowers as icing on the cake.

Codiaeum variegatum var. pictum 'Pie Crust'

The bright, speckled foliage of Codiaeum variegatum var. pictum ‘Pie Crust’ provides a host of contrasting color all in one plant.

2. Use contrasting textures and shapes

Burle Marx was known for using large swaths of contrasting textures and forms in his landscape designs. Get the Burle Marx effect by choosing plants with various surfaces and shapes. For instance, Pollak said to think about the foliage of your plant—is it shiny or muted? Waxy or fuzzy? Is the venation (patterns of veins on the leaf) netted or in parallel lines? Are the shapes of the leaves long and thin, or short and wide? When shopping at your local garden center or nursery, follow Pollak’s trick: Lay your plants next to each other on your cart or on the floor. You’ll see which plants have different styles, which create a lush, biodiverse mood in your garden.

Calathea burlemarmii 'Burle Marx' and Heuchera 'Dark Mystery'

This Burle Marx peacock plant (Calathea burlemarmii ‘Burle Marx’) surrounded by the dark purple leaves of Dark Mystery coral bells (Heuchera ‘Dark Mystery’)

3. Think: thrillers, fillers, and spillers

Pollak and Bunting often advise gardeners to think “thrillers, fillers, and spillers” when planning their garden design. By using a combination of these kinds of plants, you can easily create a varied garden design. Here’s a breakdown of the three types:

  • Thrillers: Tall plants are your “wow factors.” They’re dramatic, and stand out in your garden. Think of these plants as conversation starters. Pollak and Bunting recommend palms (Arecaceae), elephant ears (Colocasia), and cannas (Canna generalis) for Brazil-themed “thrillers.”
  • Fillers: Medium-sized plants fill space in your garden. They can be interesting foliage plants or flowers, or flowers with interesting foliage. Pollak and Bunting recommend Persian shield (Strobilanthes dyerianus) and firecracker plants (Cuphea ignea) for Brazil-themed “fillers.”
  • Spillers: Low plants spill out of a container, or trail along the foot of your garden bed. Pollak and Bunting recommend sweet potato plants (Ipomoea batata) and purple spiderwort (Tradescantia pallida) for Brazil-themed “spillers.”
"Thrillers," "spillers," and "fillers" in the Crescent Garden.

In the Crescent Garden, Bismarck fan palms (Bismarckia nobilis) and canna (Canna × generalis ‘Orange Punch’) create “thrillers.” The spectacular foliage of Grecian urn plant (Quesnalia marmota) and bromeliad Neoregelia ‘Sunkiss’ fill in the planting (“fillers”). Mexican bluebell (Ruellia brittoniana ‘Purple Showers’) and Purple Heart spiderwort (Tradescantia pallida ‘Purple Heart’) create the “spillers” in the grouping.

4. Create repetition for effect

When arriving at the Garden’s Visitor Center, you might imagine you’ve landed in Miami. Rows of swaying coconut palms, towers of bromeliads, and beds of elephant ears greet visitors as they walk through the Garden. The tropical illusion is deliberate: We repeated similar plants in our beds to broaden the Garden’s designs, making small spaces look larger. In your own garden, you can use swaths of similar plants in rows or curving shapes. The result may transport you to the tropics.

Repetition for effect: planting areas with a single plant create an effect of making an area seem larger.

Repetition for effect: planting areas with a single plant create an effect of making an area seem larger. Golden yellow Duranta erecta ‘Aurea’ is planted around a Buccaneer palm (Pseudophoenix sargentii). Dark Neoregelia ‘Royal Burgundy’ is planted at the front of the bed alongside a grouping of fine-textured Stipa tenuissima feather grass. Behind the palm, a grouping of spiky-leafed Naranjilla contrasts with the fuzzy-leaves of Tibouchina grandifolia.

5. Add a touch of tropics

Planting a tropical-themed garden doesn’t require you to use 100 percent tropical plants, said Bunting, but a few plants can have an impact. To create a Brazil-themed garden, do as Burle Marx did: Find plants within your reach. That is, at your local garden center or nursery, find palms or other tropical plants that can be brought inside for the winter. To care for tropical plants, keep in mind they thrive in heat and humidity, and need plenty of moisture. Use supplementary fertilizer to keep them healthy and thriving. And remember, if you want the tropical effect without tropical plants, there are plenty of ways to think creatively by using bold houseplants, annuals, and perennials.

Aechmea 'Yellow Berries'

Vase plant (Aechmea ‘Yellow Berries’) adds a perfect touch of the tropics to your summer displays.

Learn more about the flora and fauna of Brazil in our upcoming conservation talks, held on the following Thursdays from 2 to 3 p.m. in the Linnaeus Room, Regenstein Center.

AUG
10
Birds of Brazil
Doug Stotz, senior conservation ecologist, The Field Museum
AUG
17
A Butterfly Adventure in the Amazon Basin
Doug Taron, chief curator of the Chicago Academy of Sciences, Peggy Notebaert Nature Museum
SEP
28
Plant Diversity and Conservation in Brazil
Pat Herendeen, senior director, Systematics and Evolutionary Biology, Chicago Botanic Garden
OCT
12
Mycological Adventures in Brazil
Greg Mueller, chief scientist and Negaunee Foundation Vice President of Science, Chicago Botanic Garden

Photos by Tia Mitchell Photography
©2017 Chicago Botanic Garden and my.chicagobotanic.org

How did the Chicago Botanic Garden end up sharing one of the most sought-after strawberry plants in the world with a three-star Michelin restaurant?   

The collaboration and conservation initiative began after Garden horticulturist Lisa Hilgenberg happened to meet Aaron Keefer, the culinary gardener for the renowned French Laundry restaurant in California’s Napa Valley. At a conference in Iowa, their conversation turned to the rare Marshall Strawberry, known for its exceptional flavor. Keefer mentioned that he would love to grow the plant at the French Laundry, where the prepaid lunch tasting menu begins at $310 a person.

What is the Marshall strawberry?

Strawberry plant in fruit and flower

Strawberries flower and fruit at the same time.

The Marshall strawberry has a storied history. In the early twentieth century, it was a widely grown strawberry variety. James Beard, the legendary cook and television personality, once said he thought the Marshall was “the finest eating strawberry in America.” But by the 1950s, the Marshall had largely been replaced by other cultivars because, due to disease and its short shelf life, it became an expensive strawberry to produce. By 2007, the USDA National Clonal Germplasm Repository in Corvallis, Oregon, was one of the few places to even have Marshall strawberry plants. Now, a handful of private growers is trying to bring it back to prominence.

The Garden’s role

Leah Gauthier, an artist from Maine, is one of the only certified distributors for the once critically endangered berry. Through her website, marshallstrawberry.com, Gauthier sells the plants as they become available. Only nine are available for order this year, and once they’re sold out, the next batch won’t be available until 2019.

In 2012, Hilgenberg was given three Marshall plants from Gauthier, who was living in Indiana at the time. Gauthier drove to the Garden to personally deliver the fragile cargo. Hilgenberg got the Marshall plants into the ground right away at the Regenstein Fruit & Vegetable Garden; one was promptly stolen. But by 2013, Hilgenberg was able to propagate 50 of the strawberry plants, thus helping to preserve and conserve this unique strawberry.  

After her chance meeting with the French Laundry’s Keefer in summer 2016, Hilgenberg agreed to send him some Marshall plants. Coincidentally, the same week that Hilgenberg sent the plants to the French Laundry, Aaron Bertelsen, the gardener/chef at Great Dixter House & Gardens in the United Kingdom, was visiting the Garden. When Bertelsen also expressed an interest in the strawberry plants, Hilgenberg shared some with Great Dixter as well.

Hilgenberg said she hasn’t heard of any other public gardens that have shared plants with culinary gardens like those at the French Laundry and Great Dixter. But to her it seemed like a great opportunity to be part of “a conservation effort connecting more people to this plant.”

StrawberriesSee photos of the beautiful fruits and vegetables being grown at the French Laundry, Great Dixter, and the Chicago Botanic Garden by following Aaron Keefer (tfl_culinarygarden), Aaron Bertelsen (aaronbertelsenofficial), and Lisa Hilgenberg (hilgenberg8) on Instagram.


©2017 Chicago Botanic Garden and my.chicagobotanic.org

This summer, the Chicago Botanic Garden is transforming—with tall coconut palm trees and other iconic plants of Brazil, inspired by the designs of renowned Brazilian landscape designer Roberto Burle Marx.

The making of Brazil in the Garden started with an unlikely source, a family’s brick townhouse in Philadelphia.

Two members of the Garden’s design team visited the townhouse last summer, not sure what to expect. What they found was a treasure trove of original work by Burle Marx (1909–94), including stacks of rare, numbered lithographs, rolled tapestries too large to hang, and framed paintings. Some of the pieces, which had never been on public display, are now part of an exclusive Burle Marx exhibition at the Garden.

The collection had been in private hands, owned by landscape architect Conrad Hamerman and kept on the third story of his townhouse. When Hamerman died in 2014, his family inherited the pieces. Hamerman was a close friend of Burle Marx, and represented his work in the United States; Burle Marx gave him the pieces as gifts and as payment for his services.

Conrad Hamerman and Roberto Burle Marx Photo ©Rick Darke

Conrad Hamerman and Roberto Burle Marx
Photo ©Rick Darke

Through a contact, the Garden’s exhibition manager Gabriel Hutchison and senior designer Nancy Snyder met with Hamerman’s wife and daughter in Philadelphia to discuss Burle Marx’s artistic legacy and his friendship with Conrad Hamerman. The Garden’s Burle Marx exhibition reveals a rare glimpse of Burle Marx as an artist known for his bold colors, abstract shapes, and modernist style.

Hutchison and Snyder spent two days reviewing and evaluating the material for possible exhibition. “The collection was so much more diverse than I had imagined—sketches, oil paintings, landscape plans, and painted canvas wall hangings,” Snyder said. “This was really an honor to work on, and all along it felt like exhibiting the work was a suitable tribute to the rich friendship between the Hamermans and Roberto Burle Marx.”

Hamerman and Burle Marx met as young men in Brazil. Hamerman was a landscape designer who wanted to become an artist, and Burle Marx was an artist who wanted to become a landscape designer. Above all, they were both avid plant people. Their mutual love of plants, art, and design formed the basis of a lasting friendship that inspired them to travel on many expeditions to collect plants together.

“Conrad was a professional colleague of Roberto’s and collaborated with him a lot,” said Hutchison. “Over the years they became close friends, and although Conrad enjoyed doing his own work, I think he was most passionate about working with Roberto.”

The two even taught university courses together, which is where landscape architect Andrew Durham first encountered Burle Marx’s work. A former student and family friend of Hamerman’s, Durham arranged the loan of pieces from the family’s personal collection for the Garden’s exhibition.

Roberto Burle Marx exhibition

The Roberto Burle Marx exhibition runs through September 10, 2017.

“One thing that made Hamerman unique as a professor was his close friendship with Roberto Burle Marx,” said Durham. “Our class traveled for a month to Brazil, where Burle Marx personally showed us his gardens. That trip changed many of us forever, and I’ve embedded in my own work much of what I learned from Burle Marx’s use of texture and color.”

Though known for revolutionizing tropical landscape design, Burle Marx also worked in other artistic mediums. The paintings and textiles at the Garden exhibition showcase his style of vast swaths of bold hues, cubist influences, and contrasting fabrics.

See the Roberto Burle Marx exhibition, open 9 a.m. to 7 p.m. in the Regenstein Center, Joutras Gallery, through September 10, 2017.

Brazil in the GardenThroughout the Garden, we’re paying tribute to the vibrant spirit of Brazil. Look for samba on the Esplanade, the Brazilian national cocktail in the Garden View Café, cool plants including striking Bismarck palms, and much more. See Brazil in the Gardenthroughout the Garden—through October 15, 2017.

©2017 Chicago Botanic Garden and my.chicagobotanic.org

On a walk through the Chicago Botanic Garden, you are likely to encounter dozens of woody plants—short, tall, flowering, or simply lending structural beauty to a landscape. It’s OK to have a favorite. Phillip Douglas, the Garden’s new curator of woody plants, is not shy about listing his top picks.

Spending his first summer in Glencoe, Douglas is especially taken with the variety of oaks at the Garden. The horticulturist points out the deep purple leaves on the English oak tree (Quercus robur ‘Purpurascens’) in the meadow east of the English Walled Garden, and the cutleaf emperor oak (Quercus dentata var. pinnatifida) growing near the road south of the Regenstein Learning Campus.

English oak (Quercus robur 'Purpurascens')

The deep purple leaves of the English oak tree (Quercus robur ‘Purpurascens’)

He favors the narrow, upright Regal Prince oak (Quercus × warei ‘Long’)—in the rainwater glen on the southeast corner of the Daniel F. and Ada L. Rice Plant Conservation Science Center—for smaller landscapes. He describes Regal Prince as a hybrid oak that is columnar in shape. Along with a similar hybrid, Kindred Spirit (Quercus × warei ‘Nadler’), it is readily available in nurseries. “The big push in the industry now is hybrid oaks that are fastigiate (column-like) trees,” he explained. “If someone would like an upright oak in a home landscape, either is a good option to consider.”

Kindred Spirit hybrid oak (Quercus x warei 'Nadler')

Kindred Spirit hybrid oak (Quercus × warei ‘Nadler’). Photo by Joshnadler [Public domain], via Wikimedia Commons.

Douglas credits his fascination with the oak species as his entry point into the field of horticulture. During an internship at the Boone County Arboretum in Kentucky, “I started getting interested in oaks, started collecting oaks for my house, and the obsession grew from there,” he said. The outdoors has always been a part of his life, from growing up in Kentucky close to water and woods, to his years as a Marine. His transition into horticulture felt natural, he said.

Douglas is eager to share his knowledge with Garden visitors and to help build the woody plants collection.

“Woody plants fulfill such a role for us and for the environment,” he said. “They provide so much for us, and they really fulfill an important niche in our landscapes.” The benefits of such plants include providing shade, reducing storm water runoff, and providing habitat for animals and insects.

“Oak is an incredibly enormous, diverse genus,” Douglas said. “There are about 500 species that grow all over the world. You can have anything from a very small shrub to large trees that can be thousands of years old.”

Among his first projects are the development of the oak and willow collections, and a review of all such plants already on-site.

Douglas will also be helping to organize trips to collect plants in the wild with Andrew Bunting, assistant director of the Garden and director of plant collections. Collecting trips are planned for the summer and then fall to domestic and international locations with similar growing climates to Chicago.

“Both his passion and previous collecting experiences will be immediately useful in two collecting trips Phil is helping coordinate to Kentucky and Tennessee and Azerbaijan,” said Bunting, who was delighted to welcome Douglas to his team in April. “Phil Douglas has been a wonderful addition to the collections teams at the Chicago Botanic Garden.  He brings extensive woody plant knowledge to the Garden, especially with the genera Magnolia, Quercus, and Populus.”

The Chicago Botanic Garden's new curator of woody plants, Phillip Douglas.

The Garden’s new curator of woody plants, Phillip Douglas.

Back in his office in the Horticulture Building, Douglas is surrounded by plans for the near future. On the desk sit outlines for wild-collecting trips. Just outside of his window, construction continues on a new garden. His first months in Glencoe have been both overwhelming and energizing. “I like the variety of the things that I get to do, and I’m excited to help develop the collections and to add to the Garden,” he said.


©2017 Chicago Botanic Garden and my.chicagobotanic.org